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  • Coverage and Posts REVIEW Redemption: Sons

    December 20, 2016

    As part of The Glassblock’s sponsored partnership with the New Hazlett Theater, they are presenting a series of editorially-independent previews and reviews of the 2016-2017 Community Supported Art (CSA) Performance Series. Below is a portion of their review of Redemption: Sons by Drs. Tameka Cage Conley and Jason Mendez, a collaborative response from editor Adam Shuck, arts and […]

  • News Q&A Federico Garcia-De Castro

    August 4, 2014

    Local musician and composer, Ben Opie, sat down with CSA artist Federico Garcia-De Castro to talk music, inspriation, and the creative process. Do you have a particular process when composing for any instrument or ensemble? Not exactly a process (each piece and each ensemble is different), but in general I must feel that the piece, […]

  • Coverage and Posts PREVIEW Redemption: Sons

    December 12, 2016

    As part of The Glassblock’s sponsored partnership with the New Hazlett Theater, The Glassblock will be presenting a series of editorially-independent previews and reviews of the 2016-2017 Community Supported Art (CSA) Performance Series. Follow along here, and learn more about how you can experience this season’s CSA here.   On the second floor of the Carnegie […]

  • Coverage and Posts Animation Alchemy: Alexis Gideon

    July 1, 2014

    Alexis Gideon and a team of artistic collaborators present the world premiere of The Crumbling, a 20 minute narrative stop-motion animated opera that combines projected video with live music.  Over the course of the next few months, we’ll follow Alexis and his team’s progress here on the New Hazlett blog.  We’ll also be adding photo […]

  • News CSA: Review Midnight in Molina

    November 2, 2016

    As part of The Glassblock’s sponsored partnership with the New Hazlett Theater, they are presenting a series of editorially-independent previews and reviews of the 2016-2017 Community Supported Art (CSA) Performance Series. Below is the beginning of their review of Midnight in Molina by Cole Hoyer-Winfield, a collaborative response from editor Adam Shuck, arts and culture editor David […]