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  • News REVIEW A Love Supreme

    March 4, 2017

    As part of The Glassblock’s sponsored partnership with the New Hazlett Theater, they are presenting a series of editorially-independent previews and reviews of the 2016-2017 Community Supported Art (CSA) Performance Series. Below is part of their review of A Love Supreme by Anqwenique Wingfield and Julie Mallis, a collaborative response from editor Adam Shuck, arts and culture editor […]

  • News PREVIEW A Love Supreme

    February 2, 2017

    As part of The Glassblock’s sponsored partnership with the New Hazlett Theater, they will be presenting a series of editorially-independent previews and reviews of the 2016-2017 Community Supported Art (CSA) Performance Series. Follow along here, and learn more about how you can experience this season’s CSA here. Soprano Anqwenique Wingfield excelled in her classical education, landing […]

  • Coverage and Posts REVIEW Redemption: Sons

    December 20, 2016

    As part of The Glassblock’s sponsored partnership with the New Hazlett Theater, they are presenting a series of editorially-independent previews and reviews of the 2016-2017 Community Supported Art (CSA) Performance Series. Below is a portion of their review of Redemption: Sons by Drs. Tameka Cage Conley and Jason Mendez, a collaborative response from editor Adam Shuck, arts and […]

  • Coverage and Posts PREVIEW Redemption: Sons

    December 12, 2016

    As part of The Glassblock’s sponsored partnership with the New Hazlett Theater, The Glassblock will be presenting a series of editorially-independent previews and reviews of the 2016-2017 Community Supported Art (CSA) Performance Series. Follow along here, and learn more about how you can experience this season’s CSA here.   On the second floor of the Carnegie […]

  • News CSA: Review Midnight in Molina

    November 2, 2016

    As part of The Glassblock’s sponsored partnership with the New Hazlett Theater, they are presenting a series of editorially-independent previews and reviews of the 2016-2017 Community Supported Art (CSA) Performance Series. Below is the beginning of their review of Midnight in Molina by Cole Hoyer-Winfield, a collaborative response from editor Adam Shuck, arts and culture editor David […]