Upcoming Events

Coverage and Posts

  • News A New Partnership with Glassblock

    October 6, 2016

    For its 2016-2017 season, the New Hazlett will host five separate performances from seven artists who were chosen due to their proposals’ uniqueness, feasibility, and professional development potential. And The Glassblock will be following alongside, as they partner with the New Hazlett in documenting this fourth year of the CSA Performance Series. Throughout the season, The Glassblock […]

  • Coverage and Posts Review: memory 4

    June 20, 2016

    by Jennifer N. Myers On June 9, 2016, the Pittsburgh-based performance duo slowdanger (Taylor Knight and Anna Thompson) debuted their longest, and most ambitious, staged work yet: memory 4.  For those who missed it, I am sorry.  It was an absolute stunner: breathtaking in its progression; daring in its range; and fully captivating visually, sonically, and […]

  • News slowdanger Q&A

    May 31, 2016

    a conversation between slowdanger and Jennifer N. Myers I sat down with slowdanger recently at a coffee house to discuss their collaborative identity, their artistic process, and the story behind this new work being presented tonight, memory 4.  These two performers embody a whole range of experiences, emotions, pathways, and processes.  Their intuition is the […]

  • Coverage and Posts Review: Trillium Ensemble’s The Silent Spring Project

    April 29, 2016

    By Linda Kernohan Buckminster Fuller is often described as a visionary, and the opening of The Silent Spring Project reflects that idea in an intriguing and unexpected way. It begins in blackout. A spotlight comes up slowly to reveal a piano, but no player. We begin to hear piano music accented with bell-like percussion, disembodied from […]

  • News Q&A With Trillium Ensemble

    April 2, 2016

    Linda Kernohan sat down with Trillium Ensemble and composer Mark Fromm to talk about The Silent Spring Project. Linda Kernohan: Let’s start by discussing the origins of the project. Trillium had recorded Mark’s music previously, but how did you develop the idea of incorporating it into this theatrical, multi-media experience?   Rachael Stutzman Cohen: Our relationship […]